I think we’re overdue for an update on my current projects! I picked the picture of the robot juggling all the lightbulbs because…well…
A 1-2k word personal essay about my late grandpa and a nostalgia-driven look at the SETI@home project. SETI stands for “Search for Extraterrestrial Intelligence.” It’s the program Jodie Foster was working on in the 1997 movie Contact. The SETI@home project was a small offshoot of SETI, developed in 1999 as a way for everyday people to donate their CPUs, or computer processing cycles, to help process radio signals from space. The most exciting part of this is that I’ve contacted the director of the SETI@home program, Dr. Eric Korpela, and he’s agreed to an interview! Goes on submission: September 2019
- “Space Circus”
Sci-fi novelette, still in development but I’m shooting for something around 30k words. It was inspired by several classes at Storymakers 2018, especially those taught by Sarah M. Eden, Dan Wells, and Charlie Holmberg. During the conference I doodled a picture of a girl in a space suit and imagined what her story might be, and I decided she was going to run away and join the space circus. Goes on submission: undetermined
- Clarion West Application
Clarion West is a six-week writing workshop taught by six authors and/or editors. My favorite short story author, Amal El-Mohtar, is going to be one of the instructors. Only 18 people get into the program every year. Admission is based on a 30-page writing sample and a personal essay. For my 30 pages, I’m planning on submitting the first three chapters of my Island Book, plus a synopsis. Those have already been drafted and are in the revision process, but I have yet to start on my personal essay. Applications open in December 2018 and close in March of 2019, but I want to give it my best so I’m working on it now. Goes on submission: December 2019
- “The Island Book”
Historical fantasy novel about 100k words. This is the first installment in a series of books about two families struggling for control of a fictional island. Magical beings and speculative science get involved. Chaos ensues. Goes on submission: July 2021
Sci-fi short story I’d like to be about 5k-7k words. My original draft was 5k, but the premise is kind of far out and so many of my beta readers had so many questions, I decided to let myself wax verbose on the second draft and answer all the questions. This resulted in the story swelling to 9k (almost twice the length of the first draft). I figured I could review how the additional 4k felt and shave it down if needed. Adding more narration and more backstory, as well as changing the starting point, made the whole thing feel like the first chapter to a Young Adult dystopian novel instead of a sci-fi short. It was so far from what I wanted, I considered shelving the whole project. But I talked to my critique partner Kris, and she helped me create a vision for draft number three, where I could refocus and hone in on the story I most wanted to tell. So that’s what I’m currently doing. Goes on submission: September 2018
Sci-fi/fantasy short story around 10k words. When looking for ideas, I often begin with my resources. My husband and brother-in-law both worked on submarines for three years, and I simply couldn’t pass up the spec fic opportunities. The story deals with the ethics of nuclear war, toxic masculinity in the military, and mermaids. After writing a complete draft of this story I’ve decided to go in an entirely different direction with the style. So…I’m rewriting the whole thing. Goes on submission: February 2019
Sci-fi short story about 5k words. This project was inspired by my years in Japan, one very interesting SCUBA instructor, and memories of my grandpa introducing me to various SETI programs. The whole story is essentially a conversation–hopefully an interesting one. On submission since: January 2018
Sci-fi flash fiction about 650 words long. The concept behind this story is so niche I have no idea if it will ever get published. That said, I think it may be one of the best ideas I’ve ever had. I’ve recruited help from my husband and my best friend from high school to help me with some of the technical stuff. They’ve been geeking out about it, which is absolutely thrilling to me. I brought the story to my library writing group and had one person understand it completely, one person understand the gist of it, and three people who couldn’t make heads or tails of it. I asked the group if there was a way to balance the story so it could be understood by a wider audience. The group unanimously advised me to ignore the wider audience, commit to the idea, and charge ahead with it. On submission since: May 2018
- Storymakers Classes
I’ve pitched two classes to teach at the Storymakers 2019 writing conference! One is about how to commission an artist (I’ve both hired artists and been hired as an artist, so I feel pretty qualified for this one). The other class is about how to deconstruct strong visual icons in popular/classic media, and how authors can use this knowledge to create their own icons. I feel less qualified to teach a class on writing craftsmanship, just because I’m not yet published, but I’m very passionate about the topic and my background as an artist has given me some unique insight. I’ll know if my classes have been accepted in November, and Storymakers 2019 is in May. On submission since: August 2018
On top of all that, I’m going back to (online) college on September 3rd! I’ll be working on my Bachelor’s Degree in English/Creative Writing, with an emphasis in Screenwriting. Stay tuned to hear more about it!
Thanks for coming on this journey with me.